ARRI Rental

Combining the ARRI ALEXA 35 with ALFA V1 and V2 anamorphic lenses from ARRI Rental, cinematographer PJ Dillon ASC, ISC kicked off season two of HBO’s “House of the Dragon”, shooting episodes one and four. Read our interview with him here: https://arri.link/3So9ia3 Subsequent episodes were shot by Alejandro Martínez AMC (@alexmtz); Catherine Goldschmidt BSC; and Vanja Černjul ASC, HFS. Serviced by #ARRIRental London. 📷 2024 Home Box Office/Ollie Upton #ARRI #ARRIRental #CapturedwithARRI #ServicedbyARRIRental #ALEXA35 #BehindTheScenes #BTS #Filmmaking #Cinematography #SetLife #HOTD #HouseoftheDragon

In Luke Gilford’s “National Anthem,” cinematographer Katelin Arizmendi introduces a hint of surrealism when a young construction worker joins a community of queer rodeo performers in search of their version of the American dream—captured on film with the #ARRICAMLT, #ARRICAMStudio, #ARRI235, and paired with Master Primes. Now playing in theaters. — Serviced by #ARRIRental Los Angeles.

In Luca Guadagnino’s "Challengers," cinematographer Sayombhu Mukdeeprom relied on storyboarding to capture the film’s aesthetic. Captured on the #ARRICAMLT, #ARRICAMST with ARRI/ZEISS Standard Speeds and ARRI/ZEISS Super Speeds. Read the full article on behind the scenes here: arri.link/4bC96Lk — Serviced by #ARRIRental New York. 📷: Niko Tavernese, Metro-Goldwyn-Mayer Pictures.

Last month, ARRI and ARRI Rental in Atlanta hosted the group 600 Black Women for their Camera Cookout! Attendees had hands-on training with cameras and lighting with industry-leading experts, who also offered tips and advice on what to do on set. Special shoutout to filmmakers: Cinematographer: Darren Genet ASC Camera Operator: Bill McClelland Grip: Michael Sannuti G& L: German Valle Gaffer: Donald Murphy Learn more about the group’s mission and events here: arri.link/4czSVzi

“Why ALEXA 65? For the sensor size and the data it can record. I had worked on IMAX in 2000 and had a bit of experience with large format. The field of view and depth of field of 65 mm is very interesting; it gives a lot as a format and is addictive. The ALEXA 65 is a versatile camera, with very good dynamic range and #ARRI’s new color science, which thankfully can be applied to older models. The #PrimeDNA lenses are gentle yet sharp, with beautiful flare. The focus fall-off is very seductive. It’s a combination of the lens and the 65 mm format; they go well together.” “Auron Mein Kahan Dum Tha” cinematographer Sudheer Palsane on working with the #ALEXA65 and #PrimeDNA lenses. Watch the trailer here👉 arri.link/3VqWUHc #AuronMeinKahanDumTha #AMKDT

Go behind the scenes of ARRI Solutions' support for the recent Montblanc "Meisterstück" campaign, directed by Wes Anderson. The successful campaign was shot in an LED volume with DP Linus Sandgren capturing the film's vintage, quirky feel with an analog 35 mm ARRICAM from ARRI Rental. ARRI Solutions’ specialists provided consultancy on color calibration and playback workflow development alongside Holobay, to ensure the analog and digital workflows were correctly integrated. Richard Muller, Virtual Production Supervisor for "Meisterstück" explains more about how the services contributed to the shoot. Read more in our article at https://arri.link/4cOLjJ6 #ARRISolutions #ARRIRental #ARRI #Montblanc #LEDvolume #colorcalibration #virtualproduction

The new trailer for "The Killer's Game" is up! Shot by DP Flavio Martinez Labiano using camera, lighting, and grip equipment including #SignaturePrimes from #ARRIRental Budapest.

In his podcast “Setgeflüster” (“Set Whispering”), film sound technician Benjamin Schubert interviews film and photography professionals who either work on set or provide technological or creative services. Recently, one of his interviewees was Wolfgang “Wolle” Reichel, who first joined ARRI as a trainee at the age of 16 and worked for 10 years in camera technology before joining #ARRIRental in 2000, where he remains a Senior Camera Technician today. Listen to the story here: https://arri.link/3RTvbxV #ServicedbyARRIRental #BehindTheScenes #BTS #Film

"ARRI cameras were my first choice for this project because I feel that ARRI’s sensors generally have the most beautiful reproduction of faces and a large part of the film plays just in our actors’ close-ups. Since we were embedded in a live TV production workflow, the AMIRA Live was an obvious choice for this film." Cinematographer Guido Frenzel on working with the #AMIRALive and #ALEXAMini on "The Investigation" which is screening this week as part of the 41st FILMFEST MÜNCHEN. Keep an eye out for an exclusive in-depth interview with Guido coming in July on the ARRI website. #ARRIRental #ARRI #TheInvestigation #FFMUC

After a successful Cannes premiere, "The Village Next to Paradise" is now screening as part of the 41st FILMFEST MÜNCHEN. Cinematographer Mostafa El Kashef shot the story of a Somalian single father, his son, and his newly divorced sister navigating the challenges of family life, with camera equipment from #ARRIRental. Screening from July 5, 2024. 📷: Freibeuter Film GmbH #ARRI #FFMUC