GLP German Light Products’ Post

Unleash the Ultra: DC 380V, 120KW by The Power Maestro! Dive into a realm where robust rhythms of remarkable rapidity resound. Designed by The Power Maestro, witness a conduit of colossal capacity: a DC, 380V, 120KW chariot of charge. Elevating epochs of energy, each electron embarks on an epic, empowering every encounter with extraordinary efficacy.Surge through streets with supreme surety, experiencing an odyssey of omnipotent operations, orchestrating an opera of optimal outcomes.Market Muse: Crafted for the coliseums of commercial charisma, it conquers challenges with a cacophony of capacitive conquests. #EVChargers #EVChargingStation #EVChargingPile #EVChargingPoint

Here are the details of the four recordings of the blind test dedicated to Schumann’s Warum op. 12 No. 3. Track 1: Daniel Barenboim. CD Deutsche Gramophone “Encores”, (2022), recorded in 2017. Piano Barenboim, by Chris Maene https://lnkd.in/d7jvSC9B Track 2: Claudio Arrau. CD Decca (originally released in LP by Philips), recorded in 1973. Piano Steinway. https://lnkd.in/d4R_KGjd Track 3: Francesca Antonucci, student concert at Conservatorio Rovigo, live recording, 28/5/2024. Piano Boesendorfer VC 280. https://lnkd.in/dfsAjyWM Track 4: Murray Perahia, CD SONY (originally released in LP by CBS), recorded in 1972. Piano Steinway https://lnkd.in/dpV3UAVg Many of you probably already recognized Arrau’s famous recording, as well as Perahia’s early recording. Barenboim’s recent CD is lesser known, and also particularly interesting for the use of the Barenboim straight-strung piano. The “outsider” was the young Italian pianist (19 years old) Francesca Antonucci, a student of mine at the Conservatorio di Rovigo, who played this piece in a student concert last May 28. This experiment also intends to compare, without labels, young performers with great interpreters, also to stimulate the listeners’ curiosity and to encourage young performers in continuing their musical research and sharing their achievements. #blindtestresults #robertoprosseda

Learn the intriguing story behind the creation of Electric Light Orchestra's hit song "Don't Bring Me Down" and the mystery lyric that started as a joke. Discover the unique blend of past and future sounds that influenced this timeless track. Read the full post here: https://ift.tt/9qFgHYS

How to mic an orchestra? For a live concert with PA and foldback, use directional pattern mics. Distance to source as close as possible without overloading the transducer.

Discover how Piano.io elevated its event game in our latest case study. Read the case study: https://lnkd.in/eeJd_zMW #CaseStudy #EventTech #EventTechnology #EventManagement #EventPlanning

🌐 An Ode to the Digital Symphony of Yesteryears 🎻 Do you recall the iconic screeching symphony of dial-up modems that marked our early internet experiences? Here is a nostalgic journey back to 1996.: Imagine a grand orchestra, replacing electronic beeps with the rich, resonant sounds of classical instruments. 🎼 They performed the V.90 56k dial-up modem handshake, transforming what was once a cacophony into a surprisingly harmonious composition. It makes me wonder, what if our old modems had serenaded us with the violin instead of their piercing electronic tones? 🤔 Another good reminder of how far we have come: dial-up, ISDN, DSL, cable, fiber, 5G, and now Starlink. → https://buff.ly/4951S1r #TechnologyNostalgia #DigitalSymphony #InnovationInArt

When listening to music, we are often conditioned by the name of the performer, by his fame, by the opinion we already have of him. We can certainly change our opinion about that particular artist, but always in relation to what we already think of him. I would therefore like to do a little experiment. I propose a series of "blind tests”, in which the same piano piece is played by different performers, without you knowing the name, the age, sex, or geographical origin of the pianists. Some recordings are very well known, as part of the official discography of famous performers. Others, however, are less known or completely unknown, taken from recent live recordings by still little-known pianists. No recordings of mine are included. In this first blind test I propose listening to four different interpretations of the Fantasiestücke op. 12 no. 3 by Robert Schumann, “Warum”, to which I recently dedicated a video. It is a short composition, apparently simple, but very rich and complex in poetic ideas and expressive nuances. It requires a particular musical sensitivity and control of polyphony and dynamics. On July 1st at 8pm I will reveal the identities of the four pianists and their recording sources. The four audio tracks are recorded on three different brands of pianos, which will be revealed together with the identities of the four pianists. Three tracks are taken from commercially available CDs, while one is a live recording. Naturally, this is not a "competition": for me all four recordings, although very different, are very beautiful and intense, and it would make no sense to want to draw up a "ranking" here. On the other side, each interpretation highlights different aspects of Schumann’s masterwork. I am curious about your opinions. You can participate by selecting your favorite interpretation. Feel free to write your comments about these interpretations and their comparison. I hope you will enjoy this experiment, and experience a music listening free from the conditioning or prejudices (positive or negative) linked to the name of the interpreter. #robertoprosseda #blindtestchallenge

My weekly newsletter, Orchestra Management, is now available on Substack only: #orchestramanagement #culturalmanagement

flashback, stunning work :) #trailer #trailermusic #musicsupervisror #trailerhouse #editor #film #tv #classical #neoclassical #music #score #musicsupervision

Creating a harmonious society is like conducting a grand orchestra, where the symphony of progress unfolds through the interdependent relationship of five critical dimensions: wealth, knowledge, beauty, power, and values. Each dimension plays a critical role in shaping the outcome of our collective future, like the instruments in an orchestra that contribute to an attractive melody.